Arthur C. Pillsbury Collection
See photographs of the Klondike Gold Rush, California, Oregon and Washington taken by Arthur C. Pillsbury (1870-1946) between about 1896 and 1900.
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Aerial view of Bellevue, WA, circa 1990s
Aerial view of Bellevue looking west and slightly north along NE 4th Ave. towards Lake Washington and Seattle. Bellevue Square (first opened in 1946 as Bellevue Shopping Square, and expanded in the 1980s), One Bellevue Center (constructed 1982-1983), the Hyatt Regency hotel (built 1989), Key Bank Building (built 1971), and other buildings can be seen.
Identifier: spl_dor_00021
Date: 1990?
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Indigenous women in Nome, Alaska, ca. 1899
The same photograph was published on page 279 of the ""Brotherhood of Locomotive Firemen and Enginemen's Magazine,"" Volume 29. An illustration based on the photograph appeared in the June 1900 issue of "McClure's Magazine." Gold was discovered near Nome in the summer of 1898. Prospectors rushed to stake claims and Nome's population quickly ballooned to 10,000 people. In 1899, more gold was discovered on beaches near the town and spurred an even greater rush of visitors. By 1900, an estimated 1000 people a day were arriving in Nome. Pillsbury took some of the first available photographs of the city. Following his departure, the winter conditions made it too difficult for others to reach the area.
Identifier: spl_ap_00177
Date: 1899?
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Mossy wood, Washington
Elizabeth Aline Colborne was born in Chamberlain, South Dakota. She studied at Pratt Institute in Brooklyn, NY and was a member of the National Association of Women Painters and Sculptors and was also a highly accomplished printmaker. She lived in Bellingham, WA and maintained a studio in New York City. She worked on the Public Works of Art Project for the state of Washington in the 1930's.
Identifier: spl_art_C671Mo
Date: 1934
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Mountains and snowy forest, ca. 1899
Location is likely Alaska, British Columbia or Yukon Territory based on other photographs in the collection but the exact location is unknown.
Identifier: spl_ap_00048
Date: 1899?
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Five indigenous women at Alert Bay, B.C., ca. 1899
Identifier: spl_ap_00091
Date: 1899?
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Men sitting on train tracks at Index, Washington, ca. 1900
Identifier: spl_ap_00070
Date: 1900?
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Winter dance time
Helmi Juvonen was born in Butte, Montana on January 17, 1903. She worked in many media including printmaking, painting and paper-craft. She attended Cornish College of the Arts in Seattle where she met artist Mark Tobey with whom she was famously obsessed. Although she was diagnosed as a manic-depressive in 1930, she gained wide appreciation in the Northwest for her linocut prints depicting Northwest Indian people and tribal ceremonies. She worked with a number of artists on the Public Works of Art Project including Fay Chong and Morris Graves. Over the years, her mental health deteriorated and in 1960 she was declared a ward of the state and was committed to Oakhurst Convalescent Center. She was much beloved and had many friends and benefactors (including Wes Wehr) and was able to have exhibitions despite the confinement. She died in 1985.
Identifier: spl_art_J989Wi
Date: 1946
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Invitation from the Arctic Brotherhood to the opening of the Arctic Brotherhood Building, June 2, 1909
Printed invitation to the event to be held from 9:00 until 2:00. Signed by Grand Arctic Chief and Grand Arctic Recorder.
Identifier: mohai_ayp_2006.3.46.16
Date: 1909-06-02
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Marion St. east from 2nd Ave., February 5, 1982
Photograph shows remnants of the Olympic National Life Building after demolition on the northeast corner, as well as the YMCA building and the former Union Bank of California Building (later rebranded as 901 Fifth Avenue) on the corners of 4th Ave. and Marion St.
Identifier: spl_dor_00029
Date: 1982-02-05
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Spanish ships departing from Neah Bay
Parker McAllister, born in 1903 in Massachusetts, was a Seattle Times artist from 1924 to 1965. McAllister started his career as an illustrator at 14 for a Spokane publication; he joined the art staff at the Seattle Times in 1920. His first Sunday magazine cover was a poster-type illustration celebrating the University of Washington crew races in spring 1924. During McAllister's career, he created illustrations depicting “local color” events and situations now routinely handled by photographers. As the technology improved, he expanded his repertoire - he illustrated articles, drew covers for special sections and the weekly Seattle Sunday Times Magazine, and drew diagrams, comics, cartoons, and portraits for the Times’ editorial page. In 1956, an exhibition of his watercolor and oil paintings of Pacific Northwest scenes and historical incidents - including some paintings from the “Discovery of the Pacific Northwest” series - were exhibited at the Washington State Historical Society Museum in Tacoma. He was also a member of the Puget Sound Group of Men Painters. McAllister retired from the Seattle Times in 1965; he passed away in Arizona in 1970.
Identifier: spl_art_291985_17.167
Date: 1965
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