Arthur C. Pillsbury Collection
See photographs of the Klondike Gold Rush, California, Oregon and Washington taken by Arthur C. Pillsbury (1870-1946) between about 1896 and 1900.
-
Nude
Frank Asakichi Kunishige was born in Japan on June 5, 1878. He came to the United States via San Francisco in 1895. After graduating from the Illinois College of Photography, he opened a small photography studio in San Francisco. Kunishige moved to Seattle in 1917. In the same year, he married Gin Kunishige and began working in the studio of Edward S. Curtis where he became acquainted with Ella McBride who he worked for in later years. Kunishige was well known for his use of Pictorialism, a popular painterly style of photography. He developed his photographs on "textura tissue," a paper of his own creation, which allowed him to produce almost dreamlike prints. His work was featured nationally and internationally in exhibitions and publications such as Photo-Era and Seattle's Town Crier. In 1924, Kunishige became one of the founding members of the Seattle Camera Club, a group of local photographers including Kyo Koike, Yukio Morinaga, Iwao Matsushita and Fred Y. Ogasawara who gathered to share techniques and ideas, as well as their deep love of the medium. Although the group was initially solely Japanese, they soon welcomed more members including Ella McBride, their first female member. When World War II struck and the country's Japanese internment policy was put in place, Kunishige and his wife were forced to leave Seattle for Idaho where they were interned at the Minidoka camp. After their release, Kunishige spent two years working at a photography studio in Twin Falls, Idaho but eventually returned to Seattle due to his poor health. Frank Kunishige passed away on April 9, 1960.
Identifier: spl_art_367924_07
View this item -
Prospectors on beach in Nome, Alaska, October 3, 1899
The men in the photo are employing a method known as "cradling." Prospectors would shovel gravel onto the top of a "cradle" or "rocker" box and rock it back and forth to sift through the gravel through to the lower levels and, if they were lucky, reveal gold. One of these boxes can be seen at the right of the photo. Gold was discovered in the area in the summer of 1898. Prospectors rushed to stake claims and Nome's population quickly ballooned to 10,000 people. In 1899, more gold was discovered on beaches near the town and spurred an even greater rush of visitors. By 1900, an estimated 1000 people a day were arriving in Nome. Pillsbury took some of the first available photographs of the city. Following his departure, the winter conditions made it too difficult for others to reach the area. The same photograph appeared in the June 1900 issue of Harper's Weekly. An illustration based on the photograph appeared in the June 1900 of McClure's Magazine.
Identifier: spl_ap_00180
Date: 1899-10-03
View this item -
Municipal Plans Commission of the City of Seattle map showing Ballard Waterfront District, 1911
Map showing proposed city improvements under the Plan of Seattle, commonly known as the Bogue Plan. Designed by Virgil Bogue, Seattle's municipal plans director, the Bogue Plan proposed a series of improvements aimed at beautifying the city and making it making it more cohesive after years of rapid growth and industrialization. The plan worked in tandem with the Olmsted Brothers new system of parks, begun in 1903, and proposed new government buildings, an improved city center and an interurban road connecting the city together. The plan was rejected by voters in 1912.
Identifier: spl_maps_2465533_11
Date: 1911
View this item -
-
Juan de Fuca's Pillar
Parker McAllister, born in 1903 in Massachusetts, was a Seattle Times artist from 1924 to 1965. McAllister started his career as an illustrator at 14 for a Spokane publication; he joined the art staff at the Seattle Times in 1920. His first Sunday magazine cover was a poster-type illustration celebrating the University of Washington crew races in spring 1924. During McAllister's career, he created illustrations depicting “local color” events and situations now routinely handled by photographers. As the technology improved, he expanded his repertoire - he illustrated articles, drew covers for special sections and the weekly Seattle Sunday Times Magazine, and drew diagrams, comics, cartoons, and portraits for the Times’ editorial page. In 1956, an exhibition of his watercolor and oil paintings of Pacific Northwest scenes and historical incidents - including some paintings from the “Discovery of the Pacific Northwest” series - were exhibited at the Washington State Historical Society Museum in Tacoma. He was also a member of the Puget Sound Group of Men Painters. McAllister retired from the Seattle Times in 1965; he passed away in Arizona in 1970.
Identifier: spl_art_291985_17.172
Date: 1954
View this item -
'Let's Keep the Market' anniversary edition of The Weekly, 1981
Special issue of The Weekly celebrating the 10th anniversary of the Market Initiative. Features include 'The Battle of the Market, 1965-1971,' 'Mark Tobey's Market' and 'Schedule of Anniversary Events.'
Identifier: spl_ps_001
Date: 1981-09-23
View this item -
White Pass and Yukon Railway in Skagway Canyon, ca. 1899
During the Klondike Gold Rush, the White Pass was one of the routes used by prospectors to travel from Skagway to the Yukon gold fields. In April 1898 the White Pass and Yukon Railroad Company was formed in an effort to establish an easier way through the pass. Construction on the railroad began the following month. Thousands of workers worked around the clock in treacherous conditions to complete the project. The railroad track was completed at White Pass on February 20, 1899 and reached Lake Bennett on July 6, 1899. The final spike on the railroad was placed on July 29, 1900 in Carcross, B.C.
Identifier: spl_ap_00126
Date: 1899?
View this item -
Dancers at Klukwan Potlatch ceremony, Alaska, October 14, 1898
Identifier: spl_ap_00109
Date: 1898-10-14
View this item -
-
Invitation to a reception and ball for the president and officers of the Alaska-Yukon-Pacific Exposition at the Washington State Building, October 15, 1909
Invitation from the Governor of the State of Washington and the Washington State Commission to the Alaska-Yukon-Pacific Exposition to a reception and ball for the president and officers of the Exposition at the Washington State Building.
Identifier: mohai_ayp_2006.3.46.12
Date: 1909-10-15
View this item