• Dr. and Dorothea Bickford, Joe and Ollie, Alice Fowler, Emma Reynolds, Lillian Fowler, Florence Wiltsie and husband, Marilyn Wiltsie, ca. 1930

    Dr. and Dorothea Bickford, Joe and Ollie, Alice Fowler, Emma Reynolds, Lillian Fowler, Florence Wiltsie and husband, Marilyn Wiltsie, ca. 1930

    Dr. Ernest L. Bickford was the brother of Arthur Bickford, husband of Clara Latimer Bickford. Clara Latimer Bickford was the daughter of Alexander and Sarah Latimer and sister of Alice Latimer Fowler and Emma Latimer Reynolds. Lillian Fowler was the daughter of Alice Latimer Fowler and her husband Charles Fowler. Ernest and his wife Dorothea Bickford lived in Seattle for 40 years before his death in 1936. Their home, likely where the photograph was taken, was located on Mercer Island for much of that time. Transcribed from back of photograph: ""Dr. Bickford + Wife Dorothea, Joe + Ollie, Aunt Alice Fowler, Aunt Emma Reynolds, Lillian Fowler, Florence Wiltsie + husband [Lee Wiltsie]. Little girl is Marilyn Wiltsie. Bickford Home.""

    Identifier: spl_lj_054

    Date: 1935?

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  • Unknown woman in Abington, Illinois, ca. 1880

    Unknown woman in Abington, Illinois, ca. 1880

    Smith, C.H.

    Photograph taken by C.H. Smith in Abingdon, Illinois.

    Identifier: spl_lj_023

    Date: 1880?

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  • Pearls

    Pearls

    Kunishige, Frank A.

    Frank Asakichi Kunishige was born in Japan on June 5, 1878. He came to the United States via San Francisco in 1895. After graduating from the Illinois College of Photography, he opened a small photography studio in San Francisco. Kunishige moved to Seattle in 1917. In the same year, he married Gin Kunishige and began working in the studio of Edward S. Curtis where he became acquainted with Ella McBride who he worked for in later years. Kunishige was well known for his use of Pictorialism, a popular painterly style of photography. He developed his photographs on "textura tissue," a paper of his own creation, which allowed him to produce almost dreamlike prints. His work was featured nationally and internationally in exhibitions and publications such as Photo-Era and Seattle's Town Crier. In 1924, Kunishige became one of the founding members of the Seattle Camera Club, a group of local photographers including Kyo Koike, Yukio Morinaga, Iwao Matsushita and Fred Y. Ogasawara who gathered to share techniques and ideas, as well as their deep love of the medium. Although the group was initially solely Japanese, they soon welcomed more members including Ella McBride, their first female member. When World War II struck and the country's Japanese internment policy was put in place, Kunishige and his wife were forced to leave Seattle for Idaho where they were interned at the Minidoka camp. After their release, Kunishige spent two years working at a photography studio in Twin Falls, Idaho but eventually returned to Seattle due to his poor health. Frank Kunishige passed away on April 9, 1960.

    Identifier: spl_art_367924_18

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  • Municipal News v. 55, no. 19, Nov. 8, 1965

    Municipal News v. 55, no. 19, Nov. 8, 1965

    Identifier: spl_mn_818362_55_19

    Date: 1965-11-08

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  • Municipal News v. 55, no. 10, May. 24, 1965

    Municipal News v. 55, no. 10, May. 24, 1965

    Identifier: spl_mn_818362_55_10

    Date: 1965-05-24

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  • Municipal News v. 55, no. 12, Jun. 28, 1965

    Municipal News v. 55, no. 12, Jun. 28, 1965

    Identifier: spl_mn_818362_55_12

    Date: 1965-06-28

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  • Richard Gilkey Interview, June 14, 1986

    Richard Gilkey Interview, June 14, 1986

    Richard Gilkey (1925-1997) was a painter and sculptor who was part of the Northwest School of Artists. Gilkey was born in Bellingham, Washington. His family moved to Seattle when he was 12 and he attended Ballard High School. During World War II, Gilkey served with the Marine Corps and was discharged because of injuries in August 1944. Following the war, he began to develop an interest in artwork and was particularly inspired by the work of fellow Pacific Northwest artists Mark Tobey and Guy Anderson. His work was featured in the 1948 Northwest Annual Exhibition and in 1958 Gilkey was awarded a Guggenheim Fellowship, allowing him to travel through Europe and further develop his skills. In 1975, he purchased a Skagit Valley home and developed an art studio where his work was increasingly inspired by the surrounding environment. His painting came to a sudden halt when he was in a car accident in 1984, which left him unable to paint for three years due to crushed vertebrae. He slowly made his way back into the art world and was awarded the Washington State Governor’s Art Award in 1990. The same year he was awarded the grand prize in the Osaka Triennale 1990 exhibit. Notice of the award came on the same day that a Skagit River levee broke and flooded his home and studio. Following a severe lung cancer diagnosis in 1997, Gilkey drove from Seattle to Jackson Hole, Wyoming with his revolver and committed suicide near Togwatee Pass. Gilkey’s works have been featured internationally and included in collections of institutions such as the Seattle Art Museum.

    Identifier: spl_ds_rgilkey_01

    Date: 1986-06-14

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  • Municipal News v. 55, no. 20, Nov. 22, 1965

    Municipal News v. 55, no. 20, Nov. 22, 1965

    Identifier: spl_mn_818362_55_20

    Date: 1965-11-22

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  • Invitation from the Lumbermen of Seattle to ball honoring delegates to the National Lumber Manufacturers Association at the Washington State Building,  July 13, 1909

    Invitation from the Lumbermen of Seattle to ball honoring delegates to the National Lumber Manufacturers Association at the Washington State Building, July 13, 1909

    Lumbermen of Seattle (Hoo-hoos)

    Printed invitation to the reception and ball to be held on Tuesday evening.

    Identifier: mohai_ayp_2006.3.46.17

    Date: 1909-07-13

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  • Totem pole at Alert Bay, ca. 1899

    Totem pole at Alert Bay, ca. 1899

    Pillsbury, Arthur C. (Arthur Clarence)

    Identifier: spl_ap_00095

    Date: 1899?

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