Marine Digest
See issues of Marine Digest, which was was founded in 1922 by Jackson B. Corbet as a local source for maritime industry news.
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Earshot Jazz, v.11, no.3, Mar. 1995
This issue begins with an article discussing the poorly presented popular cliche of being a professional musician and what reality looks like for many jazz musicians. Earshot Jazz publishes their 1994 financial organizational report on page 2. On page 3, jazz radio announcements are written on Lucky Thompson's upcoming radio appearance as well as David Brisker's recent departure from KPLU-FM. A performance preview for the David Murray Trio is written on page 5 by Peter Monaghan. The UW Tribute to Miles [Davis] is reviewed on page 7 by Peter Monaghan. Belltown Billiards is reviewed as a recent addition to the Seattle Jazz scene, page 8 by Mark Eleison. Jay Collins is featured in an artist biography to preview his upcoming performance at Jazz Alley, page 9 by Andrew Freund. The Jimi Hendrix Museum Apprenticeship program is featured on page 10 along with participating students: Kathryn Rice and Andrea Larson. Earshot Jazz reviews the albums Groovin' Downtown by the Jim Briggs Quartet, Live at Kelly's by Greg Williamson and the Big Bad Groove Society, Live in Seattle by John Coltrane, Schizosphere by Francois Houle Trio, and 360 Degrees by Jay Thomas, Portland Jazz Vol. 1 by Portland, pages 10 and 18. On page 14, Earshot announces the upcoming artists in their Living Spirit of Jazz series, including Casey James, John Goforth, Jay Thomas, Milo Petersen, Jeff Johnson, the Jim Knapp Big Band, the David Murray Trio, the Jay Collins Quartet, and Madeline Eastman. Casey James' and his group Jimmy the Scuffer are featured in a group article to announce their upcoming concert at Jazz Alley, page 15. Cover art is a photograph of Clarence Acox at the drums.
Identifier: spl_ej_571712_1995_11_03
Date: 1995-03
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Earshot Jazz, v.30, no.5, May 2014
This issue begins notes on Jim Wilke, The Westerlies, Jason Parker, Steve Treseler, Chano Dominguez, Jack Straw Productions Artist Support Recipients, and the lineup for Sonarchy with Doug Haire, page 4. Burn List is featured in a group biography on page 6 by Steve Griggs. Jacque Willis is discussed on page 8 by Nathan Bluford. IMPfest VI is highlighted on page 10 by Evan Smith, who discusses scheduled performances at the festival. Performances for the Bellevue Jazz Festival are listed and described on page 11. Earshot Jazz reviews the albums State of the Art by Dee Daniels, Snail Songs by the Syrinx Effect, Tempest/Cobalt by Dawn Clement, and Feel It Give Way by Eric Barber's Metrilodic. Additional performances begin on page 18. Cover art is a photograph of Burn List.
Identifier: spl_ej_571712_2014_30_05
Date: 2014-05
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Marine Digest, v.17, no.51, Jul. 29, 1939
Cover photo caption: Edgar F. Luckenbach (see page 3)
Identifier: spl_md_840284_1939_17_51
Date: 1939-07-29
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Marine Digest, v.15, no.29, Feb. 27, 1937
Cover photo caption: Liner West Ivis (see McCormick News, page 3 [,5])
Identifier: spl_md_840284_1937_15_29
Date: 1937-02-27
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Gourmet's Notebook, v.19, no.7, Sep. 1991
Chula's Bar and Grill, pg. 52; Lighthouse Cafe, pg. 55; Madrona Bistro, pg. 51; Rosebud Cafe, pg. 54; Serafina, pg. 50; Silverwater Cafe, pg. 53; Sostanza, pg. 49
Identifier: spl_gn_928180_1991_19_07
Date: 1991-09
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Marine Digest, v.31, no.47, Aug. 2, 1952
Cover photo caption: SS United States. 3 days, 10 hours, 40 minutes (see cover story on page 11) [several Tugs sailing with ship on both sides]
Identifier: spl_md_840284_1952_31_47
Date: 1952-08-02
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Marine Digest, v.20, no.6, Sep. 13, 1941
Cover photo caption: Motorship Lochkatrine (see Royal Mail News, page 3 [,7]). Includes Pacific Coast-Built Sailers, 1850-1905, installment no. 32, by John Lyman, Maritime Research Society of San Diego, page 2 (Tropic-W.H.).
Identifier: spl_md_840284_1941_20_06
Date: 1941-09-13
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Marine Digest, v.4, no.20, Jan. 9, 1926
Cover photo caption: Benjamin F. Packard (see first news page) [page 3]
Identifier: spl_md_840284_1926_04_20
Date: 1926-01-09
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King Street Station., ca. 1906
During the early 1900s, there was increasing interest in connecting railroads with Seattle. The high demand and competition between railways resulted in two railway stations being built directly next to each other at 4th Avenue and Jackson Street. King Street Station (which is depicted in this postcard) was constructed in 1906 and can be distinguished by its tower. Union Station, originally known as the Oregon and Washington Station, was constructed in 1911. (Alternative names for Union Station include the Union Depot and the Northern Pacific Great Northern Depot.) The postcard captioning can be confusing because both stations were sometimes referred to as "union stations" due to the fact that multiple railroad lines were shared within the same terminal. For a good example of the differences between Union Station and King Street Station see spl_pc_01011 where Union Station appears in the foreground and King Street Station appears in the background.
Identifier: spl_pc_01019
Date: 1906?
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Marine Digest, v.13, no.24, Jan. 26, 1935
Cover photo caption: In the Days of Yore Ship John Ena
Identifier: spl_md_840284_1935_13_24
Date: 1935-01-26
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