Preview up to 100 items from this collection below. This collection of nearly 1,200 photograph slides documents the adventures and counterculture lifestyle of photographer Jack Large and his artist friends through the late sixties in Seattle and the Pacific Northwest.
David Wagner tokes a joint, Jack Large studio, Pike Place Market, July 1967
David Wagner tokes a joint
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Date: 1967-07
View this itemCarolyn Baugh, day of Scott Kaper's birth, Alki Beach, West Seattle, February 1969
Carolyn Baugh
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Date: 1969-02
View this itemJudy Whalen under the boom of Bill Barkes' sailboat, January 1968
Judy Whalen under the boom of Bill Barkes's sailboat
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Date: 1968-01
View this itemEarshot Jazz, no.6, Dec. 1985
This issue begins on page 1 with a brief historical explanation of the growth of Jam sessions in Jazz and the lives of musicians who wanted to pursue Jazz in 'So You Want To Be A Jazz Musician' by Gary Bannister. This article lists some Seattle clubs that feature drop-in nights for musicians. Earshot Jazz presents short biographical updates on pages 2 and 3 about artists Karen Goldfeder, Nathan Breedlove, and Karl Reimer. An individual bibliography on trumpeter Floyd Standifer begins on page 3, where Allen Youngblood writes about Standifer's history and involvement in the jazz legacy of Seattle. Album reviews beginning on page 4 and 6 cover Plays Music of Thelonious Monk/Monk Suite by Kronos Quartet, City Hawk by Peggy Stern, Crossing by Oregon, This Bud's For You and California Concert by Bud Shank and Shorty Rogers, and Bochinche by Ahora Bochinche. There is an event review on page 7 about the Concord Jazz Festival in Concord, California, written by Paul de Barros. Cover art is a photograph of trumpeter Floyd Standifer.
Identifier: spl_ej_571712_1985_01_06
Date: 1985-12
View this itemLeft is United Nation [i.e. Nations] Pavilion in International Mall
United Nations Pavilion and Africa Pavilion on the International Mall of the Century 21 Exposition (Seattle World's Fair). International Mall of the Century 21 Exposition (Seattle World's Fair). “Six hyperbolic paraboloid shells blending into a single fluted column make up two of the exhibit buildings; the third, not shown, is simply a box beam shelter. The twin structures actually are a collection of 52 of these shells and, with their classic Oriental overtones, seem to be particularly fitting for the foreign displays they contain. A fine, clean concrete surface was created by coating the four forms with fiberglass. High-early cement was used to cast the 1 ½ in. thick shells. With temperatures ranging from 35 to 65 deg., calcium chloride was added and cylinder strengths of over 3,000 lb. were obtained in 24 hours. Located on the northwest corner of the exposition site, the inside-out umbrellas with their colorful fiberglass panels present an exciting boundary.” (An Architect’s Guidebook to the Seattle World’s Fair. Seattle, Pacific Builder and Engineer, April 1962, p. 32.)
Identifier: spl_wl_exp_00023
Date: 1962-10-01
View this item'Nice Book' sign
Sign created on a white paper bag reading 'Nice Book $6.95 each.'
Identifier: spl_ps_053
View this itemThree carved Tlingit figures under tree, Klukwan, Alaska, ca. 1899
Klukwan is a Tlingit village that was located on the Dalton Trail, a route used by prospectors during the gold rush.
Identifier: spl_ap_00102
Date: 1899?
View this itemCreek running by campsite near Deer Lake inlet, Olympic National Park, September 1967
Creek running by campsite near Deer Lake inlet, Olympic National Park
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Date: 1967-09
View this itemMural Amphitheater, December 1966
Seattle Center ceramic mural
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Date: 1966-12
View this itemPacific Science Center arches, December 1966
Seattle Center arches
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Date: 1966-12
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